In front of you are four images. Each one leads to a different theme, but the ten positions are the same, because every story walks the same road: what I am living through, why right now, and where I go from here.
The spread begins with the theme and with the chakra through which you feel it most strongly. Then it asks what woke it in this particular period and how it has already slipped into your everyday reactions — into what you postpone, guard or leave unsaid. After that it goes deeper: to the feeling under the visible, to the second chakra that is also taking part, and to the old pattern that may have come before with other people and other circumstances. Some inner habits are very faithful to their role — they change the set, but they keep their lines.
The most interesting part comes later. The eighth position asks what in you is already ready to be different. The ninth gives one concrete step. The tenth shows what begins to open when the old script no longer makes the decisions for you.
That is why a person comes in with a question about love and leaves with an answer about safety. Thinks about work and arrives at his own worth. Weighs up a change and discovers that inwardly he is much further along than he had realised.
Look at the four and see which one you keep coming back to. Not the one that looks right — the one that draws you.
Inside me
If you chose the first image, the attention turns to you and to whatever has lately been taking up more inner room than you would like. I may be more tired, I may keep returning to the same question, I may react more strongly, or I may sense that quite different situations are pressing on one and the same tender spot. “Inside me” follows the thread from the first sensation to the change: which theme is most active, through which chakra I live it, what woke it, how it has slipped into my everyday reactions, what lies deeper, and which old pattern keeps feeding it. After that the gaze turns to what has already ripened in me, to the concrete step, and to the life that begins to free itself once it is taken. Because the inner world usually speaks quietly first. Then it starts to repeat itself. And if I carry on pretending not to hear, it most likely just turns up the volume.
1 What is the real theme behind what I am living through?
The Devil · Ten of Wands · Five of Pentacles · The Lovers · Eight of Swords
The first position gathers everything around one main theme. From the outside it may look as though I am buried under several different problems, but underneath them one and the same inner question is usually at work. I may be strongly attached to a person or a situation, I may be carrying more responsibility than I can still hold with ease, I may be afraid for my safety, I may be standing between two important directions, or I may feel that I have landed inside a limitation. It is this first card that decides what the whole story will actually be about. If until now I have had the feeling that life has opened seven different windows at once, it is quite likely that all of them look onto the same theme.
The Devil points to strong attachment, dependence, control, or a desire that has begun to run too large a share of my attention. I may be bound to a person, a job, a habit or an expectation so tightly that I can barely tell what I want from what I am afraid to lose. The Ten of Wands puts overload at the centre: I have taken on too much, most likely because I am used to being able to, to helping, to finishing things and to saying “no problem”, even when the problem has already taken a seat in the front row. The Five of Pentacles leads to safety, the fear of not having enough, money, home, support, and the question of whether I can rely on myself and on the life around me. The Lovers speak of a choice between two directions, two desires or two versions of the future, and the difficulty comes from the fact that each one carries something important. The Eight of Swords ties the period to the sense that my options are narrow and that whatever I do, I lose something. The personal thread starts from this first card, and every position after it adds another part to it.
2 Which chakra does this theme activate most strongly?
The Emperor · The Empress · Strength · The Magician · The High Priestess
Once I know what the main theme is, the question becomes which chakra I live it through most strongly. This matters a great deal, because one and the same outer situation can touch two people in completely different ways. A relationship may reach one person's heart and shake another person's sense of safety. A job may look like a financial question and inwardly be a story about confidence, voice or meaning. The active chakra gives me the language in which I experience the theme, and it shows which part of me is asking for the most attention right now.
With the Emperor the root chakra leads, and the question reaches support, stability, order and the feeling that I know what I am standing on. If the first card was the Five of Pentacles, the story closes very clearly around safety and the fear of loss. The Empress points to Svadhisthana — desire, pleasure, the body, creativity and the ability to take in what is good. If the first card is the Devil, a strong attachment may show itself to a feeling, a person or an attention through which I am looking for more aliveness. Strength activates Manipura and puts the focus on will, self-assurance, boundaries and my right to choose. With the Lovers, for instance, it already becomes clear that the choice is made harder by the question of whether I trust my own decision enough. The Magician ties the theme to the throat chakra — to words, to stating, asking, refusing, and to turning an intention into an act. If I am overloaded by the Ten of Wands, it may turn out that for a long time I have not said how much I am carrying. The High Priestess leads to Ajna and to that quiet knowing already inside me, even though reason still wants further proof of it. From this moment the story has two important parts: what I am living through, and where I feel it most strongly.
3 What set this theme off right now?
The Tower · The Wheel of Fortune · Ace of Wands · Three of Swords · Eight of Cups
The theme may be old, but something in the recent period has brought it forward. This is the moment after which I begin to think more, to feel more sharply, or to look at my life in a different way. The trigger can be unpleasant, but it can just as easily be a wonderful new possibility, because sometimes it is precisely the good thing that shows us how long we have been settling for little. This position separates the root from the occasion: the first card said what the question is, and the third explains why right now it can no longer be left for later.
With the Tower a sharp change has arrived, a break, or a truth revealed that has shaken my former support. If the main theme is safety, such an event may have touched work, home or a relationship. If the theme is attachment, the Tower may have shown how much I was depending on one particular situation. The Wheel of Fortune speaks of a change of cycle — the circumstances begin to move on their own and the old way can no longer stay entirely the same. The Ace of Wands brings a new desire, an idea, an offer or a person that has woken me and reminded me that I want more life. The Three of Swords ties the trigger to disappointment, a painful conversation, a parting or a clear realisation that went straight to a tender place. The Eight of Cups speaks of an inner moving away — I may still be close to the old thing, but part of me has already set off. So it becomes clear why the theme came to the front in this particular period and what gave it the first push.
4 How does this theme show itself in my life right now?
Four of Pentacles · Two of Swords · Nine of Wands · Seven of Pentacles · Six of Cups
From the inner question we arrive at daily life. What do I do when this theme is activated? How do I choose, how do I react, what do I postpone, what do I guard, and where does my energy go? It is in this position that a person most often recognises his own pattern, because the abstract theme starts turning into concrete acts. I may think I am simply being careful, when in fact I am holding on out of fear. I may believe I am waiting for the right moment, while for months I have been standing in the same corridor between two decisions.
With the Four of Pentacles I show the theme through control, guarding and holding on. If the root chakra is active, this is especially strong: the less safe I feel, the more tightly I grip what I already have. The Two of Swords puts me in hesitation and delay. The decision is in front of me, but for the time being I have decided that not deciding is also a kind of decision, which of course works splendidly right up until it stops. The Nine of Wands makes me careful and on guard; past experience is already shaping the way I expect the next thing. The Seven of Pentacles brings waiting: I have put in enough and I find it hard to give up before I see a result, even when the waiting starts to run too long. The Six of Cups brings the past into the present — an old person, an old feeling, a familiar reaction, or the memory of a time when I felt better protected. The fourth position already shows how the inner theme has turned into an everyday way of taking part.
5 What is happening under the surface that I do not yet fully see?
The Moon · The Hanged Man · Seven of Swords · Four of Cups · The High Priestess
After the visible behaviour comes the deeper layer. I can know how I react and still not fully understand why this situation touches me so strongly. Under the control there may be fear. Under the hesitation — a decision already made inside. Under the irritation — tiredness. Under the constant thinking — a truth I have known for a long time and am still not ready to say aloud. This position matters especially, because it is often the one that ties all the previous pieces into a whole.
The Moon leads to fear, uncertainty, strong sensations and inner pictures that can make the situation larger in my mind. If I have been reacting through the Nine of Wands, the Moon explains why the defence is so strong. The Hanged Man speaks of an inner pause — the old view is no longer enough for me and the new one is still taking shape. The period may look like a standstill, even though a great deal is changing inside. The Seven of Swords points to a truth I am going around, or to a motive of my own that I would rather not look at too closely, because after that I will have to decide what I am doing. The Four of Cups reveals emotional tiredness, a sense of having had enough, or a loss of interest that can no longer be covered with a little more patience. The High Priestess says that the answer is closer than I think — inwardly I have already felt it, but reason carries on setting up a committee to verify it. Once this hidden layer becomes clear, the behaviour from the previous position begins to make far more sense.
6 Which other chakra takes part, and how does it affect the theme?
Queen of Cups · The Magician · Four of Pentacles · Queen of Swords · The Star
The main chakra rarely works alone. One part of me may want closeness while another guards safety. I may know what I feel and find it hard to say. I may be ready to act while my inner support does not yet feel steady enough. It is the second chakra that explains why I hold two different needs at once and why a decision that looks easy from outside can feel so complicated.
With the Queen of Cups the heart centre joins the story — the need for emotional closeness, acceptance, love and understanding. If the main theme is safety, it may become clear that underneath it lies the fear of losing a bond or a person. The Magician activates the throat chakra and puts words at the centre: I need to state, to ask, to refuse or to explain what I have been carrying inside. The Four of Pentacles returns to the root and shows how strongly safety influences my other decisions. The Queen of Swords brings the clarity of boundaries, the ability to separate what is mine from what is not, and to say what I accept and what I no longer want to carry. The Star ties the second layer to hope, to meaning and to the picture of the future I am slowly beginning to look towards. The second chakra may be the tender point, but very often it also carries the key to the way out.
7 Which repeating pattern of mine keeps this situation going?
Six of Cups · The Devil · Nine of Swords · Five of Cups · Seven of Wands
After six positions I have seen the theme, the chakras, the trigger, the behaviour and the hidden layer. The seventh position asks why all of it feels so familiar. I may have played a similar part before, even though the people and the circumstances were different. The old pattern often began as a way to protect myself, to gain safety, or to stay connected to someone important. In time, though, it may have turned into an automatic reaction that I switch on even when other possibilities are available to me.
The Six of Cups returns to the familiar and to the old emotional script. I may be looking for safety in people and situations that resemble something already lived. The Devil shows a pattern of attachment, control or dependence — when I am afraid of losing, I start holding on even tighter. The Nine of Swords reveals the habit of living through every possible problem in advance, as though the mind believed that picturing the catastrophe well enough earns it a diploma in prevention. The Five of Cups points to staying inside the disappointment and to the difficulty of turning my gaze towards what is still possible. The Seven of Wands switches on the defence — I am ready to protect myself before the present has proved that it resembles the past. It is this pattern that keeps the theme alive, and gradually we arrive at the question of what is already ready to be different.
8 What in me is ready to change?
Death · Justice · Strength · Queen of Pentacles · Ace of Swords
This position is the turning point. Until now I have been looking at what brought me to where I stand; now the question becomes what kind of person I am ready to be from here on. The change may be in the way I choose, set boundaries, manage my energy, care for myself or admit the truth to myself. The whole situation does not have to turn around in a single day. It is enough that inside me the old way has lost its power to convince. The movement then begins long before anyone outside notices it.
Death speaks of a readiness to finish an old inner way, a role or an attachment I have outgrown. Justice returns the responsibility to me and makes me look honestly at what I give, what I receive and which consequences I am willing to accept. Strength changes the way I use my will — instead of a constant struggle with myself, I begin to act with more confidence and more consistency. The Queen of Pentacles brings the focus back to the body, to time, money, daily life and the practical care of my own resources. The Ace of Swords brings the clear decision, after which the old excuses sound considerably less convincing. The eighth position does not simply say what needs to change; it shows which part of me is already ready to do it.
9 Which concrete step brings back movement and balance?
The Magician · Ace of Pentacles · The Chariot · Three of Wands · Strength
After so much inner work comes the moment for something to happen in real life too. One step is enough, as long as it is a real one. It may be a conversation, a decision, a document, a meeting, a plan, a change in a daily habit, or a practice connected to the active chakra. The point is to give form to what I have already understood, because insight without action can be beautiful and highly intelligent and still stay on the sofa.
The Magician wants me to use my voice, my skill or my initiative — to write, to say, to offer, to ask. The Ace of Pentacles points to a wholly practical move: a budget, a new routine, a specific meeting, signing up for something, care for the body, a document or a material beginning. The Chariot insists that I choose a direction and put my energy into it, instead of keeping two opposite decisions equally alive. The Three of Wands looks ahead and sends me to explore the next possibility, to make a plan and to widen the horizon. Strength speaks of a small act repeated consistently enough to become a new habit. If the active chakra is the throat, I can write and say the thing I keep postponing. If the root is loaded, the practice may involve the body, the home, money and the building of real support. With the heart, writing or a meditation that separates my own feeling from my expectations of another person can help. With Manipura the task is a concrete choice, and with Ajna — time without other people's opinions, in which I hear my own answer first. A candle is lovely too, if I like it. After it, though, life could do with some evidence that I have decided in earnest.
10 What begins to open once this theme has been worked through?
The Sun · The World · Temperance · Nine of Pentacles · Six of Wands
The last position gathers the whole story and shows where the freed energy goes. At the start one theme was taking up too much room; then I understood what activated it, which chakras it passes through, how I keep it alive and what I am already ready to change. When I begin to act in a new way, that same energy can go towards relationships, work, creativity, the body, a new choice, or simply towards the sense that I am present in my own life more fully again. The ending promises no magical disappearance of every difficulty; it shows what new result becomes possible once the old inner script no longer makes the decisions for me.
With the Sun, aliveness returns, and confidence, clarity and the wish to take part in life more. If the beginning was the Ten of Wands, for instance, the ending may be the sense that my strength is mine again and that I know where I want to put it. The World closes a cycle — the experience has done its work and there is no need to repeat it in the same way. Temperance brings agreement between the two active chakras: the heart and safety, the will and the voice, intuition and practicality begin to work together far better. The Nine of Pentacles opens independence, trust in my own resources and a pleasure in life that depends far less on someone else's decision. The Six of Wands brings visible progress — a result reached, recognition, a successful move, or the simple sense that I have come through a period which once looked much stronger than me. And the best part is that the change starts to show itself in small moments: the old trigger appears, I see it, and this time I react differently. That is when I understand that the story really has changed.
After “Inside me” you can carry on into the Game of the Soul with The Body, if you want to follow how the active theme feels through your body and your energy, or with Letting Go, if you have already recognised the old pattern and sense that it is time to make room for what comes next. Sometimes the most interesting thing after “I understand” is the moment you notice: “Oh, this time I did something else.”
The seven chakras — which level is working in you right now →
Between us
If you chose the second image, a particular person is already present in your thoughts. You may be close, you may have parted, you may be drawing near again, you may be in a stretch of distance, or your relationship may be stuck in that curious zone where one message manages to fix the whole day and three hours of silence suddenly acquire a plot of their own. “Between us” follows what you are actually living through by way of this bond, which chakra reacts most strongly, what unlocked the present period and how all of it is already shaping your behaviour. Then we go down to the deeper feeling, the second active chakra and the old love script that may have quietly come along with you into this story too. The last three positions turn towards the change, the concrete move and what begins to open in your love life. Because sometimes a person sets out to understand “what is going on between us” and ends up discovering why this particular bond pressed so many buttons at once.
1 What is the real theme behind what I am living through?
Two of Cups · The Lovers · The Devil · Five of Pentacles · Eight of Cups
The first position sets the heart of the story between you. If it is the Two of Cups, the bond is strongly tied to mutuality, closeness and the sense that something is genuinely flowing between two people; the question then is how that mutuality develops and how far both of you are taking part in it. The Lovers place the relationship before a choice and may speak of a moment when the feeling is already asking for a decision, a direction or a clearer taking of responsibility.
With the Devil the pull is strong, my thoughts return easily to the person, and the bond may have begun to run my mood more than I would like to admit; jealousy, strong desire, dependence on attention or the fear of losing someone can hold the thread very tight. The Five of Pentacles points to sensitivity to rejection, distance and the lack of safety, which is why a small change in the other person's behaviour is so easily felt as a large threat. The Eight of Cups speaks of an inner moving away: the feelings may still matter, but part of me is already asking whether this form of the relationship is enough for me. From the very start it becomes clear whether the story is about the meeting of two people, the choice, the strong attachment, the fear of loss, or a readiness to begin moving away.
2 Which chakra does this theme activate most strongly?
The Empress · The Lovers · Strength · The Magician · The High Priestess
This person has touched a particular place inside, and it is from there that I live the bond most strongly. The Empress ties the story to Svadhisthana and to desire, sensuality, bodily closeness, pleasure and the ability to receive love; if the first card was the Devil, for instance, the pull may have grown so strong that it is hard to separate the wanting from a dependence on the bond itself. The Lovers point to the heart chakra and to the readiness to love, to allow closeness and to choose with the heart; with the Two of Cups this strengthens the theme of real mutuality.
Strength activates Manipura, and the question becomes how connected I stay to my own worth, boundaries and confidence while I love; with the Five of Pentacles, for example, the fear of loss may have started to shake my self-respect. The Magician opens the throat chakra and points to what needs to be said, asked or stated more clearly, because telepathy in love is a lovely idea, but actual conversations usually get more done. The High Priestess ties the relationship to Ajna and to the sense that I already know something about it, even while I am still hunting for facts to confirm it. So the love theme finds its inner centre, and I begin to understand why this particular person touches me so strongly.
3 What set this theme off right now?
Knight of Cups · Three of Swords · Seven of Swords · The Tower · Six of Cups
Something between you has changed the rhythm of the relationship, and from that moment the theme has grown far stronger. The Knight of Cups brings an approach, a romantic gesture, a confession, an invitation or a message that opened hope and let me imagine more; with the Two of Cups this may be the moment when the mutuality became visible, and with the Devil — the moment when the pull grew stronger still.
The Three of Swords ties the trigger to disappointment, a parting, a painful word or a clear realisation that changed the way I look at the person. The Seven of Swords points to something left unsaid, an important conversation avoided, a partial truth or behaviour that shook my trust. The Tower brings a sudden turn — a break, a conflict, a confession or an event after which the old picture of the bond can no longer stay the same. The Six of Cups brings the past into the present: someone may have appeared again, an old feeling may have woken, or the present situation may have touched a very familiar love story. The third position explains why this bond has become so important precisely now, because love themes have their triggers too, even when they arrive disguised as an innocent “How are you?”.
4 How does this theme show itself in my life right now?
Nine of Swords · Ten of Cups · Four of Pentacles · The Star · Five of Cups
The relationship is already taking part in my daily life, and the way I think, wait, plan and react shows quite plainly what has been activated inside me. With the Nine of Swords my mind is busier than I find comfortable: I replay conversations, look for meaning in the other person's behaviour, wonder what will happen, and sometimes carry out my most serious analyses of love at half past two in the morning.
The Ten of Cups has me looking at the bond as a possible future — a home, closeness, family life, a sense of “us” and a life I would want to share. The Four of Pentacles makes me more careful and inclined to guard the relationship, the feelings or the possibility itself; the fear of loss can have me holding too tightly or keeping quiet about anything that might disturb the present balance. The Star keeps the hope alive and the belief that the relationship can grow, even while the present is still incomplete. The Five of Cups speaks of disappointment, sadness and an attention that keeps returning to what did not happen the way I wanted. The fourth position shows how I am inside the bond right now — whether I live it through hope, through worry, through the future, through the fear of losing it, or through the pain of what has already happened.
5 What is happening under the surface that I do not yet fully see?
Ten of Pentacles · Four of Wands · Six of Pentacles · The Moon · The Empress
Under the feeling for the person lives the deeper reason why this bond matters so much. I may be in love, drawn in or anxious, and underneath be looking for safety, a home, mutuality, belonging, tenderness, or the sense that I am truly chosen. The Ten of Pentacles leads to the wish for a lasting future, a shared life and a bond with roots; if the fourth position was the Nine of Swords, it already becomes clear why the worry is so strong — my deeper need is safety.
The Four of Wands speaks of the need for a clear place in the relationship, for steadiness, a shared space and the sense that two people really are building something together. The Six of Pentacles is looking for the balance between giving and receiving; I want the effort, the attention and the presence to run both ways, because a one-sided marathon is rarely the most romantic of sports. The Moon points to a deeper fear of being left, to uncertainty, or to a need for reassurance that may well have started long before this person. The Empress reveals the longing for tenderness, closeness, care, acceptance and the sense that my love has room to grow. It is often in this position that it becomes clear the question is not only “do I want this person”, but “what am I hoping to live through him”.
6 Which other chakra takes part, and how does it affect the theme?
Queen of Cups · Queen of Swords · The Moon · The Magician · Four of Pentacles
A love story easily touches two inner centres at once, and sometimes that is exactly where the sense comes from that I want one thing, feel another and do a third. The Queen of Cups adds the heart chakra and a strong emotional sensitivity; I feel the person deeply, I catch the shifts in his mood, and I can easily start carrying his feelings as though they were mine.
The Queen of Swords returns to voice and boundaries — love now needs clear words, an honest question, and my ability to say what is enough for me and what is beginning to hurt. The Moon brings in Ajna through intuition, but through fears as well, so I have to tell apart what I actually sense from what my anxiety paints in its free time. The Magician again gives strength to words and to initiative; part of the tension can only be released once I stop holding the conversation in my head alone and bring it into the relationship. The Four of Pentacles returns to the root chakra and to safety, which often explains why I want so badly to hold on to the bond, or why every change shakes me. The second chakra reveals what else is taking part in the love theme, and it often carries precisely the key that the first reading was missing.
7 Which repeating pattern of mine keeps this situation going?
Six of Cups · Nine of Wands · The Devil · Two of Swords · Five of Cups
Now that I have seen what I feel, what I am looking for and which chakras are taking part, the love story begins to reveal something familiar as well. The Six of Cups returns to an old script — a type of person, a way of seeking closeness, a return to the past, or the habit of tying love to something I learned much earlier.
The Nine of Wands tells of the defence I carry from earlier disappointments; I may love and at the same time watch every detail, ready to spot the danger before it has even decided whether it is coming. The Devil speaks of strong attachment, jealousy, control, or the habit of staying too long in a relationship that is already taking a great deal of my energy. The Two of Swords brings the postponing and the waiting for the other person to decide instead of me, because holding a position of my own asks for more courage. The Five of Cups returns to the old disappointment and to the tendency to expect that the present story will repeat the past one. The pattern does not say that I am doomed to repeat; it simply explains why some scenes look suspiciously familiar. Old scripts are stubborn, but at least they usually forget to change their lines.
8 What in me is ready to change?
Nine of Pentacles · Queen of Swords · Strength · Justice · Eight of Cups
After the seventh position the attention moves from the story of the relationship to the way I want to take part in love from here on. The Nine of Pentacles returns my own worth, the life outside the relationship, and my ability to be a whole person even while there is still no final answer on the other side.
The Queen of Swords brings a readiness for clarity, for boundaries and for a question I no longer want to go around; if I have long been afraid of losing the person, I may discover that I am even more tired of losing myself. Strength changes the way I hold the wanting — I can love strongly without the feeling running my whole sense of worth. Justice makes me look at the relationship honestly: what I give, what I receive, what we have promised and what we actually live. The Eight of Cups brings the readiness to move away from a form of the relationship that no longer answers my needs, even while the feeling has not yet gone. The change begins when love stops being the place where I wait for someone else to decide what I am worth.
9 Which concrete step brings back movement and balance?
Ace of Swords · Eight of Wands · The Chariot · Two of Wands · The Magician
After all the inner layers comes the turn of an act that brings clarity into the relationship itself. The Ace of Swords points to a direct, honest conversation and to a question that reaches the essence, with no five pages of introduction and no diplomatic protocol. The Eight of Wands wants movement — a message, a meeting, a conversation, or the quick clearing up of something that has hung in the air for far too long.
The Chariot puts the direction back into my hands and has me decide what I am doing, instead of leaving my whole love life to depend on the other person's next move. The Two of Wands opens the future and asks what I want to choose if the relationship stays as it is, and what I would do if a real possibility for it to grow appeared. The Magician gives the initiative — I express, I ask, I state, and I turn the feeling into actual behaviour. The short practice for this position can be very simple: I write down “What do I feel for this person?”, “What kind of relationship do I want to live?” and “What is actually happening between us?”. When the three answers meet on one sheet of paper, most of the romantic fog tends to lose its artistic qualities.
10 What begins to open once this theme has been worked through?
Two of Cups · The World · Nine of Pentacles · Four of Wands · The Sun
The last position shows how my love life changes once I am no longer taking part through the old fear, attachment or pattern. The Two of Cups opens more mutuality and a real meeting between two people; if the story began with the Five of Pentacles, for instance, the movement may run from the fear of being left towards a relationship in which I feel a genuine exchange and room for myself.
The World closes a cycle in love — an old bond, a repeating script or a way of connecting finishes its part and frees the space for something else. The Nine of Pentacles brings independence, confidence and a love that is no longer the single source of my sense of worth; from that place I choose far more freely whom I let close. The Four of Wands opens steadying, a shared home, a formal step or a clearer shape for the relationship as it stands, if the two of you are walking in the same direction. The Sun brings openness, joy, clarity, and a relationship in which far less energy goes into guessing what the last message meant, because the feelings and the intentions are much more visible by now. The ending may continue the present bond, close an old cycle in love, or open room for a new person, but in every case I am taking part from a different inner place — with more clarity, more worth, and more ability to recognise mutuality when it really is in front of me.
After “Between us”, the natural continuation in the Game of the Soul is Love, if you want to carry on into your own theme of love, or Compatibility, if you want to look more deeply at the bond between the two of you. And if you have already understood that an old thread in love has finished its part, Letting Go may be the next move. Love remains a mystery, but at least we are not obliged to solve it with a hundred and eighty screenshots and an analysis of every full stop at the end of a sentence.
The seven chakras — which level is working in you right now →
The worth
If I chose the third image, the theme of work, money, business or professional direction has most likely grown too important to leave in the folder marked “I'll think about it next week”. I may be working a great deal, waiting for a result, thinking about a new direction, wondering whether my work is valued fairly, or sensing that I have reached a level where the old way is no longer enough for me. “The worth” follows what I am actually living through by way of the material world, which chakra reacts most strongly, what set the process going and how all of it shows in my decisions. Then we go deeper, to the belief that shapes my money and my work, to the second inner centre, and to the old pattern that may have had me working more, waiting longer or settling for less for years. The last three positions bring the change, the concrete act and the result. Because a person recognises the worth of someone else's work beautifully, and then, when his own turn comes, an inner accountant appears with a great many questions and no sense of generosity whatsoever.
1 What is the real theme behind what I am living through?
Five of Pentacles · The Emperor · Ten of Wands · Eight of Pentacles · Four of Pentacles
The first position opens the essence behind the specific question about income, work, business or professional growth. I may be asking whether I will earn more, while inwardly living through a fear of not having enough. I may be thinking about a new project, while the real theme is whether I believe I am able to carry it. I may be good at what I do and still be waiting for someone outside to give me final permission to ask for more. The whole material story starts from this first card.
With the Five of Pentacles safety leads. My thoughts go easily to money, to expenses, to the future and to the question of whether I will manage if something changes. The fear of not having enough can have me accepting terms that no longer suit me, simply because they are familiar. With the Emperor the theme is tied to control, responsibility and the need to run steadily what I have built. I may be the person who decides, organises and carries, and who rarely lets himself admit how heavy that role is. The Ten of Wands points to overload — the work has grown so large that it no longer brings the same satisfaction. I may have got used to saying “I'll sort it out”, while the tasks have evidently taken that as a standing invitation. The Eight of Pentacles leads to mastery and to the constant need to prove my worth through more work, more training and more refining. With the Four of Pentacles the centre is holding on — I keep a job, a client, an income, a price or a model, because the safe thing gives me a sense of control. So from the first position it is already clear whether the main thread is about scarcity, responsibility, overload, proving myself, or the fear of letting go of the familiar.
2 Which chakra does this theme activate most strongly?
The Emperor · Queen of Pentacles · Strength · The Magician · The World
After the essence comes the question of which chakra I live the material theme through most strongly. Money can touch safety, a professional choice can shake confidence, and the price of my work can reach straight to my voice and to my ability to state who I am. Another line leads to meaning — whether the work I do still answers to the person I have become.
With the Emperor the root chakra leads and the question reaches stability, home, income, order and the feeling that I am standing on solid ground. If the first card was the Five of Pentacles, the link is very clear: the fear of scarcity activates the need for safety directly. The Queen of Pentacles also returns to earthly support, but with more attention to the way I handle resources, time, body, work and money. She asks whether I look after my own steadiness as well as I look after everything else. Strength activates Manipura and the theme of confidence, will and personal worth. If the first card is the Eight of Pentacles, I may already be good enough, and the next step may be to believe that I have the right to act like someone who knows what he can do. The Magician ties the story to the throat chakra — the skill of speaking about my work, presenting an idea, negotiating and naming a price without apologising for it in advance. The World leads to the larger picture and to the question of meaning: have I finished one professional cycle, and am I ready for the next level. So I come to understand which part of me reacts most strongly to the material theme and why it feels so personal.
3 What set this theme off right now?
The Wheel of Fortune · Ace of Pentacles · The Tower · Five of Wands · Three of Pentacles
Something in my professional or financial surroundings has changed the rhythm. A possibility, a conflict, a new partnership, a change in income, or a moment when the old model began to crack, may have brought the theme forward. The third position shows why worth, money or making my way have become so important precisely now.
With the Wheel of Fortune the cycle is turning. Circumstances start pushing me towards a new stage and the old rhythm no longer works the same way. The Ace of Pentacles opens a real possibility — work, a client, a product, a contract, an investment or an idea that can turn into income. It may be the good possibility itself that woke the larger question: am I ready to ask for more and to take on a bigger role. The Tower brings a sharp turn — the loss of a job, a sudden expense, a change in the business model, a conflict or an event after which I can no longer pretend that everything will carry on as before. The Five of Wands ties the trigger to competition, a struggle for a place, or surroundings in which I have to defend my abilities and my ideas more clearly. The Three of Pentacles points to a new team, a partnership, recognition, or a moment when someone else sees the worth of my skill and offers it more room. So it becomes clear which moment turned the theme from background into something that now wants a decision.
4 How does this theme show itself in my life right now?
Two of Pentacles · Seven of Pentacles · Ten of Wands · Eight of Swords · Four of Pentacles
The inner question can already be seen in daily life. The way I work, wait, share out my time, handle money and make decisions begins to reveal my attitude to my own worth.
With the Two of Pentacles I juggle between tasks, income, expenses or several professional directions. I manage, but a large part of my energy goes simply into keeping the balance. The Seven of Pentacles brings waiting. I have put in work, time or money and I ask myself when the result will come. If the waiting runs too long, I start to wonder whether I am patient or merely very well-mannered towards a strategy that has stopped working. The Ten of Wands shows overload and the habit of making up for uncertainty with more work. The Eight of Swords brings the sense that my choices are narrow — I cannot leave, I cannot raise my price, I cannot take the risk, I cannot begin. Some of the limits may be real, and others have become so familiar that I no longer check them. The Four of Pentacles shows the theme through holding on — I keep the familiar job, the client, the price or the system, because the unknown looks more dangerous. The fourth position shows where the old inner question is already being paid for in time, energy and missed possibilities.
5 What is happening under the surface that I do not yet fully see?
Five of Pentacles · Nine of Swords · The Devil · Six of Pentacles · Four of Pentacles
Under professional decisions there is often a belief I took on so long ago that I barely hear it any more. I may believe that money is earned only through enormous effort, that safety must be guarded at any price, that I have to prove myself a little more before asking for more, or that others deserve good terms more easily than I do. This position reaches the inner rule that quietly shapes my choices.
With the Five of Pentacles the fear of scarcity lies under the surface. A past period of insecurity may have left its mark, and today I may be making decisions as though loss were permanently waiting around the corner. The Nine of Swords ties the material theme to anxiety and to the habit of playing out the worst version before I have taken the first step. The Devil points to a dependence on work, status, a client, someone else's approval or a particular picture of success. I may have tied my worth so tightly to the result that every passing difficulty sounds like a verdict on me. The Six of Pentacles opens the theme of exchange — am I giving more than I receive, do I find it hard to accept help, do I make concessions or put in extra work because I want to be the one chosen. The Four of Pentacles again returns the fear of losing what I have gathered. Once I see this inner rule clearly, I can understand why certain decisions repeat, even though the life around me became different long ago.
6 Which other chakra takes part, and how does it affect the theme?
Queen of Swords · The Empress · The Hermit · Ace of Wands · The Magician
The main chakra gave the leading inner question, and the second adds what the movement can hardly happen without. Safety may be the centre, while the change depends on boundaries. The will may be strong, while the creative part of me wants more freedom. I may be thinking about income, while the real second question is whether I still feel meaning in my work.
With the Queen of Swords the voice comes in, and the ability to set terms, price, boundaries and expectations. This is the moment when I stop waiting for the other side to guess what feels fair to me. The Empress activates Svadhisthana and ties the material theme to creativity, pleasure and the ability to make something fruitful. A talent that until recently was “something I can do” may be asking for more professional room. The Hermit points to Ajna and to gathered wisdom. I may already be experienced enough to stop following other people's formulas and to build a way of working that is my own. The Ace of Wands activates Manipura and brings a new impulse, idea or project towards which my energy naturally turns. The Magician gathers skill, voice and action — I turn the knowledge into an offer, a product, a service or a concrete move. The second chakra often reveals the very quality that is already ready to help the material theme move.
7 Which repeating pattern of mine keeps this situation going?
Ten of Wands · Seven of Pentacles · Six of Pentacles · Eight of Pentacles · Four of Pentacles
After six positions the habit I have most likely repeated more than once becomes visible too. I may work more when it is time to ask for more. Wait for someone to notice my work by himself. Give extra, because naming a higher price makes me uncomfortable. Prepare endlessly instead of going out with what I already know and can do. Or guard the safe thing so long that every new possibility finds me with one hand still on the old railing.
With the Ten of Wands the pattern is taking on too much. When something is not working, my first reaction is to add more work and to solve the lack of time with more of it — a strategy with curious logic and remarkably steady popularity. The Seven of Pentacles brings the long wait and the tendency to give a situation more time only because I have already put in so much. The Six of Pentacles shows the imbalance between giving and receiving; I am generous with my work, my time or my knowledge, and then I wonder why the other side has grown used to it. The Eight of Pentacles reveals the constant proving — one more course, a little more preparation, one more refinement, while the real step waits to become presentable enough. The Four of Pentacles is the habit of holding on to the familiar long after I have felt that I am capable of more. The old pattern has turned into an automatic strategy, and that is exactly why the change now begins from the inside.
8 What in me is ready to change?
Queen of Pentacles · Justice · Strength · Two of Wands · The Chariot
The eighth position turns the story towards my new relationship with work, money and my own worth. After the period of waiting, overload or undervaluing, I am ready to take part in my material life more maturely. I can handle my resources better, ask for fair payment, choose a direction, or stop keeping a model alive simply because I have known it a long time.
With the Queen of Pentacles I begin to treat my time, my energy and my money as real resources. I now think about what brings me steadiness and what merely looks busy. Justice puts fair exchange at the centre — price, contract, terms, the balance between what is put in and what comes back. Strength returns confidence and the right to defend my worth without constant proving. The Two of Wands opens the next professional horizon and lets me think about growth instead of only about keeping what I have. The Chariot brings gathered will and the decision to take the direction into my own hands. The change begins when my own worth stops waiting for approval from outside and becomes part of the way I negotiate, choose and act.
9 Which concrete step brings back movement and balance?
Ace of Pentacles · Three of Wands · Eight of Wands · The Magician · Knight of Pentacles
After the inner change comes an act that can be sent, published, signed or written into the calendar. The material world understands concrete gestures very well.
With the Ace of Pentacles the step is a real beginning — a new product, an offer, a job, an investment, a budget, or the first concrete sum put into the new direction. The Three of Wands points to widening: a new market, a group of clients, a partnership, or an application outside familiar surroundings. The Eight of Wands wants quick action — I send the offer, I have the conversation, I put up the listing, instead of spending three more days considering the typeface. The Magician uses my skill, my voice and my initiative; I set out clearly what I offer, who it is for, what worth it carries and what price I am asking. The Knight of Pentacles is a reminder that a steady result also comes from consistency — a plan, deadlines, a rhythm and acts that I repeat long enough. A useful practice for this position is to write down four questions: “What am I giving?”, “What result am I creating?”, “How much time and resource am I putting in?”, “What am I getting back?”. If the answers look like four people who fell out years ago, I already know where to start.
10 What begins to open once this theme has been worked through?
Nine of Pentacles · Ten of Pentacles · Six of Wands · The Sun · The World
The last position shows what becomes possible once the old pattern stops deciding how I work, how I earn and how I judge myself. The beginning may have been tied to fear, overload, holding on or constant proving, while the ending speaks of more steadiness, more freedom, recognition and professional scale. My inner worth gradually begins to find an outward reflection.
With the Nine of Pentacles more independence opens, and more confidence in my own skills. I can earn in a way that gives me more freedom, and feel that the result is tied to decisions I made myself. If the beginning was the Five of Pentacles, the movement is especially beautiful — from the fear of scarcity to the sense that I can build support of my own. The Ten of Pentacles brings long-term steadiness, the growth of a business, a solid position, or a material base that can now be built upon. The Six of Wands opens recognition, a successful project, visibility, a promotion, or the moment when my work starts to be clearly noticed. The Sun brings more aliveness, satisfaction and confidence; work can charge me again, instead of handing me over to the sofa every evening like a completed working day. The World closes an old professional cycle and opens a wider horizon — a new level, different surroundings, more people, a broader market, or a direction that until recently looked too large for me. When my own worth starts taking part in my decisions more maturely, the way the world answers changes too. I choose different terms, I recognise better possibilities, I speak more clearly about my work, and I put my energy where growth makes sense. One day I may look back and find that the question “do I deserve more?” has been replaced by the far more useful “what do I want to create with what I already know how to do?”. And from there the material direction starts to look entirely different.
After “The worth”, the natural continuation in the Game of the Soul is Money, when you want to carry on with the financial thread, or Gifts, if you want to see which of your abilities are ready for a larger place in your professional life. And if you are already standing between familiar safety and a new possibility, The Crossroads can help you look at the choice from one more angle. The best part is when worth stops being only an inner conviction and starts showing in the decisions you make.
The seven chakras — which level is working in you right now →
The horizon
If you chose the fourth image, you can probably already feel a period growing too small for you. You may be thinking about moving, a new job, a different way of life, an important choice, or a change you have long kept in the folder marked “we'll see”. From outside much of your life may still look familiar, while inside you have already travelled considerably further. “The horizon” follows what theme is really driving this crossing, which chakra reacts most strongly, what woke the wish for the new, and how the change is already entering your daily life. Then we reach the quieter layer — what still ties you to the old, which other part of you is taking part in the choice, and which familiar pattern may be extending your stay on the threshold. The last three positions are about the person you are gradually becoming, about the first real step, and about the life that starts to take shape after it. Because a person can spend months insisting that he is still weighing it up, while inwardly he has already chosen the curtains for the next chapter.
1 What is the real theme behind what I am living through?
The Lovers · Two of Wands · Death · Eight of Cups · The Wheel of Fortune
The first position reaches the essence of the crossing. Behind the thought of a new job, a move or a change in the way I live there may stand a choice between two important directions, the sense of a period that has finished, an inner moving away, or a natural turn of the cycle. The whole thread starts from this card, because the wish for change can come from very different places. One person is curious about the new. Another has already outgrown the old. A third is standing before a bend that life itself has begun.
With the Lovers I face a choice that touches my values and the way I want to live from here on. It may be two places, two jobs, two possibilities, or a choice between familiar safety and the life that draws me more. The decision weighs, because each direction carries real worth. The Two of Wands opens the horizon before I have set off. I have started to look things up, to compare, to study maps, listings and possibilities and to picture a different daily life. The present world is still around me, but my attention is already several steps ahead. Death speaks of an inner ending. The old period has done its work and I am slowly parting with a version of myself that has grown too narrow for me. The Eight of Cups brings the emotional moving away — I may still value the place, the work or the life I have, and yet feel that my heart is looking for something else. The Wheel of Fortune opens a turn of the cycle: circumstances, people or possibilities start redirecting my life and the sense of movement grows stronger. So the first position decides whether the story is about a choice, a widening, an ending, a departure, or a new cycle already knocking at the door.
2 Which chakra does this theme activate most strongly?
The Emperor · Strength · The High Priestess · Judgement · The Magician
A large change always touches one inner place especially strongly. I may be thinking about a new city while my root chakra immediately starts asking the practical questions: where will I live, how will I support myself, what will I lose, what will I gain. The decision may be clear while Manipura wonders whether I am confident enough to follow it. In another reading intuition already knows the direction, while reason waits for a formal invitation, signed and stamped.
The Emperor activates the root chakra and puts safety, home, structure and support at the centre. If the first card is the Eight of Cups, emotionally I have already set off, while the practical part wants a plan, a budget and ground to stand on. Strength points to Manipura and to the confidence to make a decision that can change the whole direction of my life. With the Lovers this matters especially — the choice is already in front of me, and the question is whether I trust myself enough. The High Priestess ties the theme to Ajna. Inwardly I sense the direction long before I can explain it with arguments and figures. Judgement opens the larger question of calling and of a life that matches the person I have become. The change may be tied to a strong sense that it is time to answer something that has been calling me for a long while. The Magician activates the throat chakra and turns the decision into words, conversations, applications, documents and acts. It is through this chakra that I understand which part of the crossing holds me most strongly and where I will have to put my energy most deliberately.
3 What set this theme off right now?
The Star · Ace of Wands · Three of Wands · The Fool · The Sun
The wish for change may have been woken by something that made me feel alive again. A new place, an idea, an offer, a journey, a person or a professional possibility can widen my inner world so much that the old one begins to look narrower. The third position looks for the spark after which the thought of change stopped being only a daydream.
The Star brings a picture of the future that inspires me. I begin to see the possibility of more freedom, more meaning, or a life that feels closer to me. The Ace of Wands is the pure impulse — a new project, an offer, an idea or a desire that returns my energy and has me thinking “I want to try”. The Three of Wands widens the borders and often leads abroad, to another city, a new market, different professional surroundings, or a life that is already looking beyond the familiar. The Fool wakes freedom and the readiness to begin from a new place, even though the whole route is not yet marked on the map. The Sun speaks of a moment when I felt more joy, more aliveness and more ease, and it became the measure of what I want from here on. The third position reveals what turned my head towards the future and why the new now has such a strong pull.
4 How does this theme show itself in my life right now?
Four of Cups · Ten of Wands · The World · Death · Eight of Cups
The change can already be felt in my attitude to my present life. I may carry on doing everything as before and still notice that the enthusiasm has dropped, that the old goals have lost part of their meaning, or that daily life has turned into a suit that still fits and is no longer comfortable. This position reveals how far the crossing has actually got.
With the Four of Cups I lose interest in things that used to be enough. I may have a decent life and still find myself asking more and more often whether I want the coming years to look the same. The Ten of Wands brings tiredness from gathered commitments, responsibilities and a rhythm I have kept up for a long time. I manage, but that is no longer an argument for carrying on forever — a person can carry a heavy suitcase beautifully and still be glad when he finally puts it down. The World speaks of a natural end of a cycle and the sense that I have taken everything important from this period. Death deepens the change — the way I see myself, work or live is already transforming from within. The Eight of Cups points to a gradual moving away: I put less heart into the old, my thoughts turn forward more and more often, and part of the decision has already been made inside me. The fourth position reveals whether the change is an idea that attracts me or a process I am already living.
5 What is happening under the surface that I do not yet fully see?
Four of Pentacles · Six of Cups · The Devil · Five of Pentacles · Nine of Swords
However strongly the future draws me, part of me may still be guarding the old. The reason may be safety, belonging, habit, the fear of loss, or the worry about what happens if the new life does not go to plan. It is this quieter layer that often explains why a person is ready for change and still keeps postponing it.
The Four of Pentacles guards what is safe. A job, an income, a home, a status or familiar surroundings can hold me, because I already know how they work. The Six of Cups ties the old to memories, people, family and a sense of belonging. The decision may be hard because leaving involves parting with part of my history. The Devil speaks of a strong attachment to a familiar way of life, to control, or to a dependence that has slowly grown stronger than the pleasure I get from it. The Five of Pentacles brings the fear of material loss and the question of whether I will manage if I leave the safe frame. The Nine of Swords develops the anxious scenarios and can turn one real risk into a whole series of future catastrophes, prepared with remarkable creative energy. The fifth position names what still holds the thread to the old life, and so it becomes clearer what actually needs confidence, a plan or inner permission.
6 Which other chakra takes part, and how does it affect the theme?
The Empress · Queen of Swords · The Moon · Four of Pentacles · The Star
One part of me may be ready for change while another still wants guarantees. I may feel a strong wish for a new life and at the same time be afraid of losing my stability. I may know clearly what I want and still not have said it to the people who will be part of the decision. The second chakra adds precisely that extra inner voice, and it often explains why the crossing feels so complicated.
The Empress brings in Svadhisthana and asks a very simple but important question: how do I want to feel in my life? More pleasure, creativity, closeness, beauty, movement or freedom may be the real food of the new direction. If the root chakra leads, a strong inner conversation begins between safety and desire. The Queen of Swords activates the throat chakra and the ability to speak clearly about my decision, to set boundaries and to hold the conversations that a large change inevitably brings. The Moon ties Ajna to fears as well as to intuition. One part of me senses where to go, while the other starts painting the risks in a fairly dramatic format. The Four of Pentacles returns to the root chakra and reminds me how much the sense of practical support matters. The Star opens meaning, hope and the picture of the future that leads me forward. The second chakra does not complicate the story needlessly; it reveals what still needs to be heard so that I can choose more wholly.
7 Which repeating pattern of mine keeps this situation going?
Two of Swords · Seven of Pentacles · Nine of Wands · Six of Cups · The Devil
When I am at a crossroads, I most likely have a familiar way of buying time. I may postpone, wait for one more sign, give the old thing another chance, remember it in its finest version, or try to remove every possible risk before setting off. This pattern was useful when I needed to be careful. The question now is whether it still protects me or merely extends my stay between two doors.
The Two of Swords brings the postponing and the sense that as long as I do not choose, I keep every possibility open. In time, though, doing nothing starts to set the direction too. The Seven of Pentacles has me waiting, because I have already put years, work, money or feeling into the old thing. A past investment turns easily into an argument about the future, even when the future itself is calling me elsewhere. The Nine of Wands brings caution born of an earlier hard experience. I may be expecting the next change to be as heavy as the last one. The Six of Cups idealises the familiar — the moment the unknown frightens me, the old life suddenly starts to look almost flawless, which is curious, because a month ago I most likely had quite different words for it. The Devil ties the pattern to control and to an attachment to the predictable. The seventh position reveals how I can keep the crossing unfinished myself, and which automatic reaction has earned the right to be replaced.
8 What in me is ready to change?
Death · Six of Swords · Eight of Cups · The World · The Tower
The eighth position is the real inner turn. After all the questions about the old and the new, I arrive at the part of myself that has ripened for a different way of life. The change may be in my attitude to endings, in the way I move through the unknown, in the readiness to accept my own emotional decision, or in the notion that I have to preserve the old structure at any price.
With Death I am ready to accept that an ending is part of growth too. I no longer try to revive a period that has done its work, simply because parting with it is hard. The Six of Swords brings the readiness to move into the new more sensibly and by degrees. I can plan, prepare my resources and move step by step, instead of expecting one enormous leap from myself. The Eight of Cups speaks of a change in my attitude to my own feeling — I stop persuading myself to stay where I have already lost the connection inside. The World brings the readiness to accept that I have completed this stage and that the experience I have gathered will travel with me. I am not starting from nothing; I am starting from the next level. The Tower changes the ground itself — I am ready to look again at rules, plans and notions of safety on which I have long been building my life. This position is the moment when the future stops looking like a betrayal of the past and starts to feel like its natural continuation.
9 Which concrete step brings back movement and balance?
The Fool · The Chariot · Ace of Wands · The Magician · Three of Wands
After the inner readiness comes one real step. A large crossing may involve dozens of decisions, but the first move has to be concrete enough to fit into a calendar, a phone call or a booking. That is when the change stops being a beautiful thought and starts acquiring a date.
The Fool points to a first trial — a journey, a meeting, a viewing, an application, a new course, or a small experiment that lets me feel the new direction for real. The Chariot wants a decision and a route. I choose a priority and stop dividing my strength equally between leaving and staying. The Ace of Wands gives the impulse to act while the wish is still alive — I start the project, I send the documents, I call, I sign up, I make the first move. The Magician uses my contacts, my voice and my abilities: I ask, I negotiate, I look for information and I turn the intention into a possibility. The Three of Wands points to a plan for widening and to real research into the next surroundings, especially if the change involves another city, another country or a new professional horizon. A good practice for this position is to write three sentences: “What am I leaving?”, “What am I moving towards?”, “What will I do within seven days?”. The last one is usually the most interesting, because a horizon is magnificent to look at, but feet prefer a specific address.
10 What begins to open once this theme has been worked through?
The Star · Judgement · The World · The Sun · Three of Wands
The last position looks beyond the choice itself and towards the life that can begin after it. When the old fear stops running the decisions, possibilities start opening that I had only seen from a distance. The new direction may involve a move, professional widening, another country, a new circle of people, a freer way of living, a project with a future, or the strong sense that I have finally reached a place that suits me better.
With the Star the future brings inspiration and the sense that I have something to move towards again. New surroundings, a person or an idea may open and return my hope and my wish to plan further ahead. If the beginning was the Eight of Cups, the crossing is especially strong — from a life I had gradually been leaving inside, towards a direction that draws me once more. Judgement leads to a calling and to a decision of larger meaning. Work, an activity or a way of life may open that answers far better to the person I have become. The World widens the space — another city, another country, an international setting, a larger professional stage, or a new circle of people. It is a strong sign of an old period completed and of a crossing into a wider world. The Sun brings more aliveness, joy and confidence in the chosen direction. The new may return the sense that life is happening with my participation again, instead of simply going on around me. The Three of Wands opens continuing growth — one step leads to the next, new contacts, ideas, journeys and prospects appear, and life begins to have more room. It is the last position that makes “The horizon” such a strong image. At the start I looked at the unknown with hesitation, and by the end I can already see what the change may give birth to: new surroundings, a new role, more freedom, a larger professional or personal stage, a move, or the feeling that an inner crossing which began long ago has finally been given an outward life. In time I may look at the old with gratitude and understand that it was not a mistake. It was simply my previous chapter. And the horizon began to move the moment I let myself believe that I have the right to walk towards it.
After “The horizon”, the natural continuation in the Game of the Soul is The Crossroads, when two important directions are still in front of you, or Letting Go, when you already know which period has finished and want to free the space for the next one. And Signs can carry the thread on, if you have already set off and are starting to notice how the new direction answers you along the way. A large change rarely begins with a fanfare. Far more often it begins with a quiet “I think I'm ready” — and one entirely real first step.
The seven chakras — which level is working in you right now →
The universe hears what you give
Everything you do from the heart — a word, an act, a gift — comes back. Not tomorrow, not by the end of the week, but in the moment when enough of it has gathered. If these words have reached you and something in them has recognised something in you, that is not by chance.
And if you feel like sending a little of that energy back, any amount is received with gratitude and turns into new writing, new spreads, new words that will reach someone who needs them right on time. That is how the circle keeps going.
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About me — Vanya VuchkovaTarot reader and palmist since 2007. How I work with the cards, the runes and the hand, and why I built the Game of the Soul.
A test: where do you lose the most energy?Seven images and seven answers. Choose one and see where your energy drains away and which chakra stands behind it.
The seven chakras — which level is working in you right nowSeven kinds of question we pass through again and again — and how to tell which one is strongest in your life now.